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Nov. 30th, 2010 11:12 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
sam_gamgeeDid not technically win Nano this year, as the last 3000 words elude me.
But, at the same time, I'm considering it a win because I did write 47000 words - which is more than I've written in a long time. I worked on my original Nano idea (which died, but I may try to go back and finish later), two Secret Santa fics (both of which are finished and are in various states of revisions), another fic idea (which also died and I can't decide if I should declare it or try to save it), worked on another fic that's quickly becoming crack and wildly OOC (but it's fun!) and started a 'thank you ficlet' which will be finished in the next day or so.
And here are two of the pep-talk emails that I really liked.
Dear Cohort,
Struggling with your novel? Paralyzed by the fear that it's nowhere near good enough? Feeling caught in a trap of your own devising? You should probably give up.
For one thing, writing is a dying form. One reads of this every day. Every magazine and newspaper, every hardcover and paperback, every website and most walls near the freeway trumpet the news that nobody reads anymore, and everyone has read these statements and felt their powerful effects. The authors of all those articles and editorials, all those manifestos and essays, all those exclamations and eulogies - what would they say if they knew you were writing something? They would urge you, in bold-faced print, to stop.
Clearly, the future is moving us proudly and zippily away from the written word, so writing a novel is actually interfering with the natural progress of modern society. It is old-fashioned and fuddy-duddy, a relic of a time when people took artistic expression seriously and found solace in a good story told well. We are in the process of disentangling ourselves from that kind of peace of mind, so it is rude for you to hinder the world by insisting on adhering to the beloved paradigms of the past. It is like sitting in a gondola, listening to the water carry you across the water, while everyone else is zooming over you in jetpacks, belching smoke into the sky. Stop it, is what the jet-packers would say to you. Stop it this instant, you in that beautiful craft of intricately-carved wood that is giving you such a pleasant journey.
Besides, there are already plenty of novels. There is no need for a new one. One could devote one's entire life to reading the work of Henry James, for instance, and never touch another novel by any other author, and never be hungry for anything else, the way one could live on nothing but multivitamin tablets and pureed root vegetables and never find oneself craving wild mushroom soup or linguini with clam sauce or a plain roasted chicken with lemon-zested dandelion greens or strong black coffee or a perfectly ripe peach or chips and salsa or caramel ice cream on top of poppyseed cake or smoked salmon with capers or aged goat cheese or a gin gimlet or some other startling item sprung from the imagination of some unknown cook. In fact, think of the world of literature as an enormous meal, and your novel as some small piddling ingredient - the drawn butter, for example, served next to a large, boiled lobster. Who wants that? If it were brought to the table, surely most people would ask that it be removed post-haste.
Even if you insisted on finishing your novel, what for? Novels sit unpublished, or published but unsold, or sold but unread, or read but unreread, lonely on shelves and in drawers and under the legs of wobbly tables. They are like seashells on the beach. Not enough people marvel over them. They pick them up and put them down. Even your friends and associates will never appreciate your novel the way you want them to. In fact, there are likely just a handful of readers out in the world who are perfect for your book, who will take it to heart and feel its mighty ripples throughout their lives, and you will likely never meet them, at least under the proper circumstances. So who cares? Think of that secret favorite book of yours - not the one you tell people you like best, but that book so good that you refuse to share it with people because they'd never understand it. Perhaps it's not even a whole book, just a tiny portion that you'll never forget as long as you live. Nobody knows you feel this way about that tiny portion of literature, so what does it matter? The author of that small bright thing, that treasured whisper deep in your heart, never should have bothered.
Of course, it may well be that you are writing not for some perfect reader someplace, but for yourself, and that is the biggest folly of them all, because it will not work. You will not be happy all of the time. Unlike most things that most people make, your novel will not be perfect. It may well be considerably less than one-fourth perfect, and this will frustrate you and sadden you. This is why you should stop. Most people are not writing novels which is why there is so little frustration and sadness in the world, particularly as we zoom on past the novel in our smoky jet packs soon to be equipped with pureed food. The next time you find yourself in a group of people, stop and think to yourself, probably no one here is writing a novel. This is why everyone is so content, here at this bus stop or in line at the supermarket or standing around this baggage carousel or sitting around in this doctor's waiting room or in seventh grade or in Johannesburg. Give up your n ovel, and join the crowd. Think of all the things you could do with your time instead of participating in a noble and storied art form. There are things in your cupboards that likely need to be moved around.
In short, quit. Writing a novel is a tiny candle in a dark, swirling world. It brings light and warmth and hope to the lucky few who, against insufferable odds and despite a juggernaut of irritations, find themselves in the right place to hold it. Blow it out, so our eyes will not be drawn to its power. Extinguish it so we can get some sleep. I plan to quit writing novels myself, sometime in the next hundred years.
--Lemony Snicket
Dear NaNoWriMo Author,
Is procrastination a problem for you? Really? You think you have a problem?
Here's procrastination: The organizers of NaNoWriMo asked me three months ago to write this pep talk, and I'm only writing it now, after blowing three deadlines, after avoiding ten reminders. I was asked to write a pep talk for NaNoWriMo, and I'm actually writing it after the month started. So whatever procrastination problems you have, I probably have you beat. I'm the worst, and I'm getting worse every day.
It's a very strange thing, because we all think writing should be fun. That is, when I was temping through most of my twenties, wondering what it would be like to write for a living, hoping for such a life, I thought it might be pretty sweet. I thought if I ever got to write for a living, I would feel pretty lucky, and that I would be so appreciative that I would bound out of bed every day and, like a goddamned adult, I would write as much as I could every day, and get work done in a reasonable amount of time. Again, like an adult.
Instead, I need, on average, 8 hours sitting on my writing couch to get one hour of work done. It's a pathetic ratio. I stall, avoid, put off and generally act like someone's making me do some terrible job I never wanted to do. I blow pretty much every deadline I'm given.
Just like I blew the one for NaNoWriMo.
But then, when things are late, and I'm feeling like an idiot, and I feel like I'm letting down someone (like the people at NaNoWriMo, and you), I finally dig in and get started. And then I write, and I write in a fury, and I even, sometimes, enjoy writing.
And that's why I love NaNoWriMo. It gets you started. It gives you the impetus to finally start, and/or finally finish. Knowing there are thousands of others out there trying to do the same, who are using this ridiculous deadline as cattle-prod and shame deterrent, means goddamnit, you better do it now because you know how to write, and you have fingers, and you have this one life, and during this one life, you should put your words down, and make your voice heard, and then let others hear your voice. And the only way any of that's going to happen is if you actually do it. People can't read the thoughts in your head. They can only read the thoughts you put down, carefully and with great love, on the page. So you have to do it, goddamnit. You have to do it, and you can step back and be happy. You can step back and relax. You can step back and feel something like pride.
Then of course you'll have to revise it ten or twenty times, but let's not talk about that yet.
Write your goddamned book now. The world awaits.
D
But, at the same time, I'm considering it a win because I did write 47000 words - which is more than I've written in a long time. I worked on my original Nano idea (which died, but I may try to go back and finish later), two Secret Santa fics (both of which are finished and are in various states of revisions), another fic idea (which also died and I can't decide if I should declare it or try to save it), worked on another fic that's quickly becoming crack and wildly OOC (but it's fun!) and started a 'thank you ficlet' which will be finished in the next day or so.
And here are two of the pep-talk emails that I really liked.
Dear Cohort,
Struggling with your novel? Paralyzed by the fear that it's nowhere near good enough? Feeling caught in a trap of your own devising? You should probably give up.
For one thing, writing is a dying form. One reads of this every day. Every magazine and newspaper, every hardcover and paperback, every website and most walls near the freeway trumpet the news that nobody reads anymore, and everyone has read these statements and felt their powerful effects. The authors of all those articles and editorials, all those manifestos and essays, all those exclamations and eulogies - what would they say if they knew you were writing something? They would urge you, in bold-faced print, to stop.
Clearly, the future is moving us proudly and zippily away from the written word, so writing a novel is actually interfering with the natural progress of modern society. It is old-fashioned and fuddy-duddy, a relic of a time when people took artistic expression seriously and found solace in a good story told well. We are in the process of disentangling ourselves from that kind of peace of mind, so it is rude for you to hinder the world by insisting on adhering to the beloved paradigms of the past. It is like sitting in a gondola, listening to the water carry you across the water, while everyone else is zooming over you in jetpacks, belching smoke into the sky. Stop it, is what the jet-packers would say to you. Stop it this instant, you in that beautiful craft of intricately-carved wood that is giving you such a pleasant journey.
Besides, there are already plenty of novels. There is no need for a new one. One could devote one's entire life to reading the work of Henry James, for instance, and never touch another novel by any other author, and never be hungry for anything else, the way one could live on nothing but multivitamin tablets and pureed root vegetables and never find oneself craving wild mushroom soup or linguini with clam sauce or a plain roasted chicken with lemon-zested dandelion greens or strong black coffee or a perfectly ripe peach or chips and salsa or caramel ice cream on top of poppyseed cake or smoked salmon with capers or aged goat cheese or a gin gimlet or some other startling item sprung from the imagination of some unknown cook. In fact, think of the world of literature as an enormous meal, and your novel as some small piddling ingredient - the drawn butter, for example, served next to a large, boiled lobster. Who wants that? If it were brought to the table, surely most people would ask that it be removed post-haste.
Even if you insisted on finishing your novel, what for? Novels sit unpublished, or published but unsold, or sold but unread, or read but unreread, lonely on shelves and in drawers and under the legs of wobbly tables. They are like seashells on the beach. Not enough people marvel over them. They pick them up and put them down. Even your friends and associates will never appreciate your novel the way you want them to. In fact, there are likely just a handful of readers out in the world who are perfect for your book, who will take it to heart and feel its mighty ripples throughout their lives, and you will likely never meet them, at least under the proper circumstances. So who cares? Think of that secret favorite book of yours - not the one you tell people you like best, but that book so good that you refuse to share it with people because they'd never understand it. Perhaps it's not even a whole book, just a tiny portion that you'll never forget as long as you live. Nobody knows you feel this way about that tiny portion of literature, so what does it matter? The author of that small bright thing, that treasured whisper deep in your heart, never should have bothered.
Of course, it may well be that you are writing not for some perfect reader someplace, but for yourself, and that is the biggest folly of them all, because it will not work. You will not be happy all of the time. Unlike most things that most people make, your novel will not be perfect. It may well be considerably less than one-fourth perfect, and this will frustrate you and sadden you. This is why you should stop. Most people are not writing novels which is why there is so little frustration and sadness in the world, particularly as we zoom on past the novel in our smoky jet packs soon to be equipped with pureed food. The next time you find yourself in a group of people, stop and think to yourself, probably no one here is writing a novel. This is why everyone is so content, here at this bus stop or in line at the supermarket or standing around this baggage carousel or sitting around in this doctor's waiting room or in seventh grade or in Johannesburg. Give up your n ovel, and join the crowd. Think of all the things you could do with your time instead of participating in a noble and storied art form. There are things in your cupboards that likely need to be moved around.
In short, quit. Writing a novel is a tiny candle in a dark, swirling world. It brings light and warmth and hope to the lucky few who, against insufferable odds and despite a juggernaut of irritations, find themselves in the right place to hold it. Blow it out, so our eyes will not be drawn to its power. Extinguish it so we can get some sleep. I plan to quit writing novels myself, sometime in the next hundred years.
--Lemony Snicket
Dear NaNoWriMo Author,
Is procrastination a problem for you? Really? You think you have a problem?
Here's procrastination: The organizers of NaNoWriMo asked me three months ago to write this pep talk, and I'm only writing it now, after blowing three deadlines, after avoiding ten reminders. I was asked to write a pep talk for NaNoWriMo, and I'm actually writing it after the month started. So whatever procrastination problems you have, I probably have you beat. I'm the worst, and I'm getting worse every day.
It's a very strange thing, because we all think writing should be fun. That is, when I was temping through most of my twenties, wondering what it would be like to write for a living, hoping for such a life, I thought it might be pretty sweet. I thought if I ever got to write for a living, I would feel pretty lucky, and that I would be so appreciative that I would bound out of bed every day and, like a goddamned adult, I would write as much as I could every day, and get work done in a reasonable amount of time. Again, like an adult.
Instead, I need, on average, 8 hours sitting on my writing couch to get one hour of work done. It's a pathetic ratio. I stall, avoid, put off and generally act like someone's making me do some terrible job I never wanted to do. I blow pretty much every deadline I'm given.
Just like I blew the one for NaNoWriMo.
But then, when things are late, and I'm feeling like an idiot, and I feel like I'm letting down someone (like the people at NaNoWriMo, and you), I finally dig in and get started. And then I write, and I write in a fury, and I even, sometimes, enjoy writing.
And that's why I love NaNoWriMo. It gets you started. It gives you the impetus to finally start, and/or finally finish. Knowing there are thousands of others out there trying to do the same, who are using this ridiculous deadline as cattle-prod and shame deterrent, means goddamnit, you better do it now because you know how to write, and you have fingers, and you have this one life, and during this one life, you should put your words down, and make your voice heard, and then let others hear your voice. And the only way any of that's going to happen is if you actually do it. People can't read the thoughts in your head. They can only read the thoughts you put down, carefully and with great love, on the page. So you have to do it, goddamnit. You have to do it, and you can step back and be happy. You can step back and relax. You can step back and feel something like pride.
Then of course you'll have to revise it ten or twenty times, but let's not talk about that yet.
Write your goddamned book now. The world awaits.
D
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Date: 2010-12-03 04:59 am (UTC)Things are well, I hope they are with you too. And I was thinking about you the other day. We need to get together soon.
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